The much loved flute and strings...

For discussion of all aspects of the New York legends.
Kill Mick
Head held high
Posts: 281
Joined: 25 May 2004 13:30
Location: UK

The much loved flute and strings...

Post by Kill Mick »

Now that there's all this wonderful audio software avilable, has anybody tried to remove the hideous flute and strings from 'Chelsea Girl'? Those songs could sound SOOO good, instead of being SOOO annoying.
Keep the faith
User avatar
jimjim
Head held high
Posts: 463
Joined: 14 May 2004 15:31
Location: Wellington, New Zealand
Contact:

Post by jimjim »

Actually I quite like it..it elevates the story of Chelsea trash to brill building slickness. In saying that, I love the BBC TV version from 1981 with its gutterall guitar and vocals only.
"If anyone had a heart
They wouldn't turn around & break it
And if anyone played a part
They wouldn't turn around & fake it"
Lou Reed, 'Sweet Jane', 1970
Kill Mick
Head held high
Posts: 281
Joined: 25 May 2004 13:30
Location: UK

Post by Kill Mick »

Sorry, I meant the album rather than the track. I think they make 'Winter Song' pretty much unlistenable.
Keep the faith
Doctor Bob
Head held high
Posts: 275
Joined: 24 Mar 2004 07:32

Post by Doctor Bob »

Weren't those strings arranged by John Cale...
radiofreesimulacrum
On the wild side
Posts: 133
Joined: 03 Apr 2004 02:46

Post by radiofreesimulacrum »

The credits read "Arranged and Conducted by Larry Fallon"
iaredatsun
Now jelly rolls in the street
Posts: 1894
Joined: 08 Jun 2004 21:38
Location: London, Texas

Post by iaredatsun »

Its always a nice thought about Chelsea Girls and let's remove those damned flutes, too. I've often imagined going back and revising a few things in VU history:-

Aren't there some wonderful singing voice synthesisers now ? So how about inventing a John Cale bass, organ and viola synthesiser that could be used to replace all the Doug Yule parts on the third album? Voila - its as if Cale never really left! (sorry doug).

Or can we simply ask Moe to go back into the studios and redo all the drums for Loaded?

And while we're revising history what would the VU have done if Cale had stayed? What would the 3rd LP have actually been like? What songs did they write after he stayed? What albums did they then record? How did their sound develop and how did the covers look?
underground, overground
Chris M
On the wild side
Posts: 111
Joined: 15 May 2004 03:56
Location: Baton Rouge, LA

Post by Chris M »

Anyone know if the outtakes and multitracks for the Chelsea Girl LP sessions still exist? I'd love to hear early takes of Wrap Your Troubles in Dreams and the title track. I wionder if any more Reed/Cale compostions were attempted at the sessions?
LFSDoc
Hangin' 'round
Posts: 55
Joined: 28 Jan 2005 11:11
Location: la bella Italia

Post by LFSDoc »

iaredatsun wrote: Aren't there some wonderful singing voice synthesisers now?
no
Doc
Mark
Head held high
Posts: 1214
Joined: 15 May 2004 21:13
Contact:

Post by Mark »

I haven't tried this with all the songs on the album, but if you mute one stereo channel of the track Chelsea Girl, it is possible to significantly reduce the volume of the flutes and strings whilst keeping the guitars and vocals.
8-7-6-5-4-3-2-1
Kill Mick
Head held high
Posts: 281
Joined: 25 May 2004 13:30
Location: UK

Post by Kill Mick »

iaredatsun wrote: And while we're revising history
In my opinion it isn't a case of revising history, but presenting the artists vision they way they intended it. The released version of 'Chelsea Girls' was not the album Nico recorded - as she herself stated on numerous occassions. Compare 'It Was A Pleasure Then' (the one track to avoid the string and flute overdubs) to the other 4 'VU' tracks and you'll see what the album could have sounded like. I was just wondering if with modern technology anybody had managed to get closer to creating a version of the album that actually sounded like the one Nico intended...

And thanks for the tip Mark, I'll try that.[/quote]
Keep the faith
Post Reply